In our audio projects we try to get the sound you are looking for using a mix of analog and digital gear. Unlike analog recording, digital recording doesn't generally improve, warm, or fatten your sound - the methods are different, but the goal is the same. Then we use good old analog mixing to get that big, wide, cool sound. Can't explain it, but I like it better.

We use the best Microphones, Mic Preamps and D/A converters we can get to capture your sound. We connect all this stuff with Canare, Mogami, and Monster Cable, to wring every last nuance out of the signal. We can bring in 1/4', 1", 2" tape, Cassette, CD, DVD, DTRS (DA-88), DAT, ADAT, VHS, mini-DV, DV, and DVCAM formats. If you can't bring it on something from this list, call us up - we'll figure out a way!

We use ProTools HD, with Apogee converters and 44 channel analog board. We also have ProTools LE on multiple other networked machines.

Our main ProTools Mac has Gigs of Ram, 750 Gigs of Ultra LVD 10k drives, and over 100 of the best plug-ins there are.
In the "B" room we have ProTools LE and an array of softsynths. It make a great pre-production room or for doing MIDI or demo projects.

Our video edit suite has Final Cut Studio, DVD studio Pro, Adobe Premier, After Effects, Photoshop, etc, on several machines.

We have 2 Appleshare servers with Cisco Gigabit Ethernet and 4 Terrabytes of on-line drives.